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Adobe Photoshop Elements
Like Photoshop, Adobe Photoshop Elements is a complete image-editing solution. However, it includes a suite of five preinstalled templates and can edit images and do some advanced web-publishing tasks in the Elements workspace that the standalone Photoshop application lacks.
To find these templates, click the File tab and go to Import. You’ll see an Import from Photoshop Elements folder, along with options for importing a single image (which can be the same file you imported from your scanner) or batch importing multiple photos (which is the same as exporting to Photoshop and then importing again). Click to select the template or photos you want to import and then click Open to move your file to the Images pane. (See Figure 7-22.)
Image courtesy of George Maestri (www.georger.maestri.net)
**Figure 7-22:** Import from Photoshop Elements templates and photos.
For help with Elements, Adobe has developed a page of help material at `www.adobe.com/products/photoshop_elements/help/photoshop_elements_help.html`. To turn up the background noise, just right-click or control-click and choose View⇒Show/Hide and then uncheck the Background category.
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It is available as a plug-in or as a standalone program.
Like Photoshop, Photoshop Elements is available as a download and as an integrated application. Photoshop Elements plug-ins may or may not be available for macOS. Mac users can use Photoshop on their Macs for free through Adobe Creative Cloud. Photoshop Elements is free for all Mac users.
When you are dealing with photos of any kind, size is important. Size matters. Not just because of the files you have to download for email, but also because the largest file you download, the one that you are forced to upload on the server, will often determine if you will have to wait for it to be processed.
Photoshop Elements offers many of the same image editing and enhancements that Photoshop does. Photographers and graphic designers will appreciate the easy-to-use interface, unlimited online storage, and numerous customizable user interface elements. If you are a hobbyist or amateur photographer, Elements is the ideal program for you.
When you apply additional effects, filters, or enhancements that change the image, you are required to save the new version of the image and then upload it to the server. If you are uploading only one image at a time, this can easily take hours.
If you use many of the same adjustments and enhancements on a regular basis, you can make the same adjustments as many times as you need to without spending hours uploading new versions of the image to the server.
The Photoshop Elements 10 program will work with Windows 10. It will also work well with Windows 7 and 8.1, but you may have to adjust some settings to make it work optimally.
You may want to adjust the features before downloading. The default settings will probably not be quite right for you.
If you have Photoshop or Photoshop Elements, you should be able to download the template and adjust it to your needs.
For most people, Photoshop is the easiest program to use. You will want to make sure that you have all the features you need, and, if you do not, it is easy to add them later. Photoshop Elements is similar to Photoshop in that it has an extensive feature set, but Elements provides fewer options for you to use.
One advantage of Elements is that it is a “free” program. You do not need to pay for a license. You will get a trial license when you download the program.
For more on Photoshop vs. Elements, see Which Image Editor Is Right
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“Our position is consistent with basic American principles of religious freedom, freedom of speech and freedom of the press, as expressed in the First Amendment to the Constitution. We vigorously condemn the vicious attack on the life of Pope Benedict and his abuse of the Catholic faith. The kind of sexual abuse of which the pope was accused is inconsistent with and abhorrent to our faith.
“We, too, are grateful that Cardinal Mazaroli and Cardinal Rigali have come to the defense of the pope and to the defense of the dignity of the Church. We wish to express our deep appreciation for those in the Church who have come forward to clarify the truth.
“The Holy Father is indeed dedicated to healing and reconciliation in the Church. We pray for the church and for all those in need of God’s care and grace, especially in these difficult times.”
The Vatican also said the pope “regretted that, through reported inadequate protection, the person so accused was able to carry out that duty.” It stressed that “cognizance” of the alleged incident had first to be “ascertained” before “the measures that may be necessary can be defined.”
Pope Benedict had been reported to have been accused of abuse by a former Vatican Nuncio in the American archdiocese of Newark, where he was archbishop from 2001-2013.
The archdiocese said there were four “credible” allegations of abuse by the former archbishop between 1986 and 2009 – and a fifth, “credible” allegation in 2009, before he became archbishop.
It said none of the reported abusers were in positions of responsibility within the church after the accusations against them became known.
The Newark archdiocese said it had contacted the Congregation for the Doctrine of the Faith in April last year with concerns over a sexual predator in the Newark archdiocese who had been shuffling from parish to parish and given an “interim assignment” to a parish in New Jersey.
It was not until June 2014 that the Congregation’s delegate in Newark then informed the Newark archdiocese that the man had been investigated and found to have abused between one and five children over a 20-year period.
Cardinal DiNardo said the archdiocese was asking the Vatican “to investigate the pattern of actions by the now former archbishop which resulted in his serving in these four positions.
“We await the outcome of this investigation which we believe will be forthcoming. If there is
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History of the Ottoman Armenian Artists
This site was created by Michael Rubin for the University of Illinois Department of Art, Art History and Archaeology Summer Undergraduate Internship Program in Visual Art, 2001–2004. It has been set up with permission from the Council of Regents of the University of Illinois.
A notice on the web site explains this project:
This digital archive represents a collaborative enterprise aimed at mapping and examining the visual arts produced by Armenian communities of the Ottoman Empire from the sixteenth century until the present.
The project investigates the Ottoman Armenian arts tradition in-depth and yields an innovative record of the core elements, themes, and styles that shaped the artistic and cultural production of this understudied group. This archive challenges the notion of Ottoman as well as Armenian national and ethnic historiography by providing a regional context for the vast majority of the visual arts produced in this period; that is, artists from the regions of the empire that are now Iran, Turkey, Syria, Iraq, Lebanon, Israel, Palestine, and Azerbaijan.
The content of the archive consists of original resources, including digital photographs and texts in the original language, as well as web sites that have been archived.
The project (as well as, as a result of its effort, several editions of the critically acclaimed Armenian Art Atlas) was very well received and drew a large audience. It was the subject of articles, lectures, and interviews, and received an award from the American Academy in Rome.
Much of the content was drawn from existing archives in Paris, New York, St. Petersburg, and The State of Israel. It also includes new materials obtained from the Armenian Library of America in New York and the Armenian Cultural and Scientific Association in Vienna.
Special thanks to Elena Schatzman for her help on the project. The website was designed and programmed by Ziad Ara.
The overarching aim of the project is to produce a high-resolution digital archive of the artwork from the sixteenth century until the present, and to provide context for the digital art of the Ottoman Armenian artistic tradition.
The digital archive will include a complete set of indexes and photographic guides to the images, along with web sites that have been archived. A dynamic digital database will allow users to search for specific artists, provide textual and contextual information about the artworks and artists, and read research notes and articles written about the archive.
The primary focus of this digital archive is the depiction of early modern Armenian artists of the
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